Dear Fellow Producer,

Let me guess…

You’ve been producing music for a while now.

Maybe a few months.

Maybe a year or two.

Maybe even five years or more.

And you’ve learned a LOT along the way.

You know your way around your DAW.

You understand EQ.

Compression.

Sidechaining.

Saturation.

You know how to program drums, work with synths, arrange a track and all the other stuff you’re “supposed” to know.

You’ve watched more YouTube tutorials than you’d care to admit.

You’ve bought the plugins.

Downloaded the sample packs.

Maybe even taken a course or two.

And yet…

There’s STILL Something Missing…

Because you already know what you want your music to sound like.

You can HEAR it.

You hear it every time you put on a track by one of your favourite artists.

The sounds work together.

The groove feels right.

The melodies seem effortless.

Everything has its place.

Nothing feels accidental.

And the whole thing just sounds…

PROFESSIONAL.

Then you open your DAW and try to create something with that same feeling.

And somehow…

It doesn’t quite happen.

Maybe you spend an hour trying to find the right kick.

Then another scrolling through bass sounds.

You add another synth.

Another layer.

Change the chords.

Swap the kick again.

Maybe you get something sounding pretty damn good.

Then you make the mistake of playing that professional track again.

And…

Oh...

THEIR Track Sounds Like The Music You Want To Make.

Yours Still Sounds Like A Demo.

And THAT is incredibly frustrating.

Especially when you’ve been doing this for months or years.

You’ve put in the hours.

So what the hell are THEY doing that you’re not?

What sounds are they using?

How many layers are actually in there?

How are they processing the sounds?

What’s the bass doing underneath everything else?

What are the chords doing?

What makes the groove feel the way it does?

Why do all their sounds seem to fit together…

While you can spend half your Saturday auditioning 147 different presets and

STILL not be happy with what you’ve got?

These are the questions I struggled with for YEARS.

And eventually I discovered something that completely changed the way I approached music production.

The Answer Has Been Sitting Right In Front Of You This Entire Time

You see, those professional tracks you love?

The ones that already have the sound you’re trying to achieve?

They can actually TEACH you how to make it.

Think about that for a second.

Every professionally produced track contains an enormous amount of information.

The sounds.

The layers.

The chords.

The melodies.

The rhythms.

The arrangement.

The way the drums and bass work together.

The way different sounds have been chosen to complement each other.

The way everything has been balanced and mixed into one finished record.

It’s ALL sitting there.

The problem is…

You can’t necessarily HEAR it.

Not properly.

Because when you press play on a finished track, everything hits your ears at once.

Kick.

Bass.

Drums.

Synths.

Chords.

Melodies.

Vocals.

Effects.

Layers buried underneath other layers.

You hear the finished RECORD…

But it can be incredibly difficult to distinguish all the individual decisions that MADE it sound that way.

So you listen.

You compare.

You listen again.

And ultimately…

You’re still guessing.

But what if you could somehow pull that professional track APART?

What if you could strip away all the noise…

Separate the individual elements…

Listen to different parts in isolation…

And effectively look INSIDE the record to see how it was put together?

Well…

That’s Exactly What The “X-Ray Technique” Allows You To Do

Using a combination of some clever filtering techniques…

AI stem separation…

And a simple step-by-step process I’ve developed for analysing professional music…

You can effectively “X-Ray” almost any professionally produced track you love…

And start revealing the things that are incredibly difficult to distinguish when everything is playing at once.

You can focus on the drums, and what makes them sound professional compared to yours.

The bass.

The synths.

The vocals.

You can filter out certain frequencies to expose what’s happening underneath.

You can focus your ears on individual sounds…

Musical elements…

Rhythms…

Layers…

And production decisions you may have listened to a hundred times before…

Without ever REALLY hearing them.

And suddenly…

Instead of sitting there thinking:

“Why does THEIR music sound so much better than mine?”

You can start answering a much more useful question:

“What Are They Actually DOING…And What Can I Learn From It?”

That’s where things get really interesting.

Because once you can SEE inside the music you love…

You can start understanding it.

And once you understand it…

You can start using what you discover to create better, more professional-sounding music of your OWN.

So…What Can You Actually SEE When You “X-Ray” A Track?

Well, here’s where things get interesting.

Because when you listen to a professional track normally…

You’re hearing the finished product.

Everything has already been carefully chosen…

Layered…

Arranged…

Balanced & mixed…

And glued together into one cohesive piece of music.

Which is great when you just want to ENJOY the track.

Not so great when you’re trying to figure out how the thing was actually made.

But once you start pulling it apart…

Suddenly you can hear things that were practically invisible before.

For example…

You can isolate the drums and really hear what’s creating the groove.

You can listen to the bass on its own and hear exactly what it’s doing underneath everything else.

You can separate the synths and start identifying the different sounds and layers being used.

You can pick apart the notes in the chords…

The melodies…

The rhythms…

The vocals…

Even subtle little production details you may have heard a hundred times without ever consciously noticing.

And then you can start asking MUCH better questions.

“Ahhh…So THAT’S What They’re Doing!”

How big should the kick be?

What kind of bass sound are they pairing with it?

Are those enormous chords really one huge synth…

Or three simple sounds layered together?

How much is actually happening during the verse?

What changes when the drop hits?

How do they keep their track interesting when mine sounds looped and boring?

Which sounds are carrying the melody?

Which ones are simply filling out the background?

Where is all that energy coming from?

And perhaps just as importantly…

What ISN’T there?

Because one of the biggest surprises when you start dissecting great records is often how simple certain parts really are.

Things that sounded impossibly complicated when everything was playing together…

Can suddenly become obvious when you hear the individual pieces.

And that’s the whole point.

You’re Turning A Finished Record Into A BLUEPRINT

Instead of looking at the finished result and trying to reverse-engineer it through guesswork…

You can start seeing the individual building blocks.

The sound palette.

The musical ideas.

The layers.

The rhythms.

The arrangement.

The production choices.

And how they all fit together.

Suddenly that professional track isn’t simply something you admire anymore.

It becomes something you can STUDY.

Something you can learn from.

And this is where the X-Ray Technique becomes much more powerful than simply using a reference track in the usual way.

Because you’re not just asking:

“Is their bass louder than mine?”

Or…

“Does my mix sound as bright as theirs?”

You’re asking:

“How did they BUILD this?”

And every answer gives you another little piece of the musical language you’re trying to learn.

Your Favourite Producers Can Become Your Best Teachers

Imagine being able to take three or four tracks you absolutely LOVE from the genre you want to produce…

And really study them.

Not another random tutorial.

Not somebody telling you the “correct” way to make music.

The actual records that made you want to produce this kind of music in the first place.

What kicks keep appearing?

What kinds of bass sounds work with them?

How dense are the arrangements?

What happens to the drums before a drop?

How are the chords voiced?

How many synth layers are really there?

Where do melodies appear?

Where does everything pull back?

Start doing that and patterns begin to emerge.

And those patterns can give you something incredibly valuable:

A Much Clearer Idea Of What YOUR Music Actually Needs

Instead of opening a blank project and facing 10,000 possibilities…

You have a starting point.

Instead of scrolling endlessly through presets hoping something jumps out at you…

You have a much clearer idea of the types of sounds that work together.

Instead of adding layer after layer because your track somehow still doesn’t sound “big enough”…

You can study how the records you love actually create that size.

You begin building a sound palette for the style of music YOU want to make.

Not so you can recreate somebody else’s track…

But so you can stop wasting hours trying to reinvent the musical language of your genre from scratch.

And that can dramatically change the way you approach your own music.

Because instead of constantly asking…

“What should I do?”

You’ve got some of the best-produced records in the world sitting there saying…

“Here. Let me show you.”

And I know this because…

This Is EXACTLY How I Finally Broke Through

You see, I wasn’t always able to listen to a professional track and understand what was going on inside it.

Far from it.

For YEARS, I struggled with exactly the same problem.

I knew what good electronic music sounded like.

I knew what I wanted MY music to sound like.

But there was this incredibly frustrating gap between the two.

I’d work on a track for hours…

Sometimes days…

And no matter what I did, it never quite had that polished, professional sound I could hear in the records I loved.

So naturally…

I assumed I needed to learn more.

I watched tutorials.

Studied production techniques.

Experimented with different sounds.

Different plugins.

Different ways of mixing.

And yes…

I learned a LOT.

But my music still wasn’t where I wanted it to be.

Because the problem wasn’t simply that I needed more information.

I Needed To Understand What Professional Producers Were Actually DOING

That was the breakthrough.

Instead of endlessly trying to learn music production in the abstract…

I started studying the finished records themselves.

Really studying them.

Listening again and again to what was happening underneath the finished mix.

And little by little…

The music started revealing its secrets.

And suddenly I wasn’t guessing anymore.

I was learning directly from the producers who were already making the kind of music I wanted to make.

Then something pretty remarkable happened.

After YEARS Of Struggling…Everything Changed In Just 48 Hours

I started applying what I was discovering to my own music.

And within 48 hours…

I won a remix competition.

I got my first manager.

And landed my first paid production work.

Now…

Please don’t misunderstand me.

I’m NOT saying you’re going to use the X-Ray Technique on Tuesday and have a manager by Thursday.

That would be ridiculous.

What I AM saying is this:

After years of struggling, I’d finally found a way to bridge the gap between HEARING the kind of music I wanted to make…and actually UNDERSTANDING how it was made.

And THAT changed everything.

Because once you understand what’s really happening inside professional music…

You don’t need to rely on guesswork anymore.

You have something concrete to learn from.

Something you can study.

Something you can apply.

And something you already have unlimited access to:

The Music You LOVE

Think about how powerful that is.

Every track you admire can become a lesson.

Every producer you respect can become a teacher.

Every record in your genre can give you clues about the sounds…

Rhythms…

Chords…

Melodies…

Layers…

Arrangements…

And production decisions that make that style of music WORK.

You just need to know how to uncover them.

And that’s exactly why I created…

The X-Ray Technique

A simple step-by-step system for turning the professional tracks you already love into blueprints for creating better music of your own.

A Faster Way To Get From “I LOVE That Sound”…To Understanding How They MADE It

The X-Ray Technique isn’t another enormous music production course.

In fact…

That’s rather the point.

I’m not going to give you 37 hours of videos explaining every production technique under the sun.

You’ve probably consumed enough tutorials already.

This is ONE technique.

Designed to solve ONE incredibly frustrating problem:

How do you figure out what the producers you love are actually doing…so you can learn from it and apply those lessons to your OWN music?

I’ll show you exactly how I take a finished professional track…

Pull it apart…

Analyse what’s happening inside it…

And turn what I discover into practical information I can actually USE.

It’s Like Being Able To Look UNDERNEATH The Finished Record

First, I’ll show you how to use AI stem separation to split a finished track into its individual components.

So instead of hearing everything at once…

You can listen to the drums.

The bass.

The synths.

The vocals.

Separately.

Already, you’ll probably start hearing things you’d never noticed before.

But then we go deeper.

I’ll show you the filtering techniques I use to isolate different areas of the track even further.

For example…

Filter away the higher frequencies and suddenly you can focus your ears on exactly what’s happening between the kick and bass.

And when you stop trying to process the entire record at once…

All sorts of little details start revealing themselves.

Sounds you hadn’t noticed.

Layers you couldn’t distinguish.

Rhythmic ideas that were buried underneath everything else.

Little production decisions that suddenly make you go…

“Ahhh…THAT’S how they’re doing it.”

But Pulling The Track Apart Is Only HALF The Technique

Because simply separating a track into stems isn’t going to magically make you a

better producer.

You need to know what to DO with what you’re hearing.

So I’ll also show you what to listen for…

What questions to ask…

What patterns to look for…

And how to take everything you discover and turn it into useful lessons for your

OWN productions.

You can start analysing things like:

The sound palette… What types of kicks, basses, synths and other sounds are being used together?

The layering… Which sounds are doing the heavy lifting? Which are simply adding width, texture or movement?

The musical elements… What are the chords, melodies and basslines actually doing?

The rhythms… What creates the groove? Where is the energy coming from?

The arrangement… What gets added? What gets removed? How does the producer keep the track moving?

The mix… How do all those individual elements sit together to create one balanced, professional-sounding record?

In other words…

You’re no longer just listening to the finished result.

You’re Learning HOW The Thing Was Built

And once you start seeing professional music this way…

You can use what you discover to make much more informed choices in your own tracks.

Which kick should you start with?

What kind of bass works alongside it?

Do you really need another synth layer?

How busy should the chords be?

What happens to the drums when the drop arrives?

Why does one section feel enormous even though there’s surprisingly little happening?

Instead of staring at a blank DAW with a million possible directions you COULD go…

You’ve got a blueprint.

NOT a blueprint for copying somebody else’s song.

A blueprint for understanding the musical language of the genre you want to create.

And that distinction is REALLY important.

Because I know what you might be thinking…

“But I Don’t Want To COPY Other Producers…”

Good.

Neither do I.

And that’s not what the X-Ray Technique is about.

You SHOULD want your music to sound like you.

You SHOULD develop your own ideas.

Your own melodies.

Your own personality.

Your own sound.

But here’s the thing…

Professional producers reference other music too.

They don’t create inside some magical vacuum where every production decision

appears from nowhere.

They’ve spent YEARS listening to music…

Studying it…

Absorbing the sounds…

And the little stylistic details that make their genre sound the way it does.

That’s how you learn ANY musical language.

You study the people who already speak it fluently.

Referencing Isn’t COPYING…It’s LEARNING From The Best

And the X-Ray Technique simply gives you a much more effective way to do that.

You’re not taking somebody else’s melody.

You’re not stealing their track.

You’re not trying to create a carbon copy of somebody else’s music.

You’re asking:

Why does this kick work so well with this bass?

Why does this arrangement create so much energy?

Why do these sounds complement each other?

Why does this section feel so big?

Why does this genre consistently use certain types of sounds and rhythms?

Then you take those lessons…

Open your own DAW…

And create something NEW with them.

Something original.

Something that sounds like YOU.

Just with a much better understanding of what makes the music you love actually WORK.

You Can Try This On Your Favourite Track TODAY

And this is one of the things I love most about the X-Ray Technique.

You don’t need to spend six months studying it before it becomes useful.

You can learn the technique…

Pick a professionally produced track you love…

And start X-Raying it immediately.

In fact, I’d encourage you to start with the tracks that made you want to produce music in the first place.

The ones where you’ve thought:

“THAT. That’s the kind of music I want to make.”

Because imagine what happens when you stop simply listening to those tracks…

And start X-Raying them.

Suddenly you’re not sitting there thinking:

“I wish I could make something that sounded this good.”

You’re starting to understand…

“Ahhh…THIS is how they’re getting that sound.”

And then you can take what you’ve learned…

Open your own DAW…

And use those discoveries as the starting point for something completely new.

Imagine Opening Your DAW And NOT Starting From Scratch

Instead of staring at an empty project wondering where on earth to begin…

You’ve already done your homework.

You’ve X-Rayed three or four tracks in the style you want to create.

And you’ve started noticing patterns.

You know the kind of kick you’re looking for.

You’ve got a much clearer idea of the bass sound that might work with it.

You understand the kinds of synths that tend to complement each other.

You’ve noticed how busy — or surprisingly EMPTY — the arrangements actually are.

You’ve started developing a sound palette for the kind of music you want to make.

So instead of auditioning 147 kick drums…

Then 83 bass presets…

Then adding another four synth layers because something still doesn’t sound right…

You can make decisions with PURPOSE.

Not because somebody on YouTube told you:

“THIS is the kick you should use.”

But because you’ve studied the actual music you love…

And trained yourself to understand what works.

Don’t Be Surprised If You Start “X-Raying” EVERYTHING

Because once you know how to do this…

Listening to music starts becoming a completely different experience.

You hear a track you love and think:

“What IS that sound underneath the bass?”

X-Ray it.

You hear a drop that feels enormous…

And want to understand why.

X-Ray it.

You hear an incredibly simple groove that somehow works perfectly…

X-Ray it.

You find yourself wondering how many synths are really creating that huge wall of sound…

Or what the drums are doing underneath that vocal…

Or why the bass and kick seem to fit together so effortlessly…

X-Ray it.

And every time you do…

You learn something.

Not some random production trick you may or may not ever use.

Something directly relevant to the music YOU want to make.

And THAT Could Save You YEARS Of Trial And Error

Because think about how most producers learn.

They bounce around.

A tutorial here.

A plugin there.

Some dude on YouTube telling them they need to sidechain something.

Someone else telling them the exact opposite.

They pick up hundreds of little techniques…

But there’s no real direction to any of it.

Meanwhile…

The exact music they’re trying to learn how to make is sitting right there in front of them.

Already finished.

Already professionally produced.

Already proving what works.

You just need a way to study it.

And once you have that…

You can stop trying to learn EVERYTHING about music production…

And start learning the things that actually matter for making the kind of music YOU want to make.

Imagine What Happens The NEXT Time You Sit Down To Produce…

You’re not starting with a blank canvas and a thousand questions.

You’ve got direction.

You’ve got a sound palette.

You’ve got reference points.

You understand more clearly what you’re listening for.

And when something in your own track doesn’t sound right…

You know where you can go looking for answers.

Back to the music.

Not another five hours disappearing down a YouTube rabbit hole.

Not another plugin you probably don’t need.

Not another course teaching you 97 techniques you may never use.

The professional tracks you already love become an almost unlimited library of lessons.

And the more you X-Ray them…

The better you become at hearing what’s actually going on.

Which may be the biggest benefit of all.

Because If You Can’t HEAR It…You Can’t Consciously CREATE It

At first, you might need the X-Ray Technique to expose things your ears simply couldn’t pick out before.

But every time you isolate a bassline…

Pull apart a drum groove…

Discover a hidden layer…

Or suddenly notice a production decision you’d completely missed…

You’re training your ears.

You’re learning what to listen for.

And gradually…

You start hearing things in professional music that previously sailed straight past you.

That’s when you stop merely consuming the music you love…

And start understanding it like a producer.

Here’s Exactly What You’ll Get…

When you get access to The X-Ray Technique, I’ll take you through the entire process step-by-step.

You’ll see exactly how I take a professionally produced track…

Pull it apart…

Analyse what’s happening inside…

And turn what I discover into practical ideas I can use in my OWN music.

I’ll show you…

How to separate a finished track into individual stems…

So you can hear the drums, bass, synths and vocals without everything else getting in the way.

How to “X-Ray” different parts of the frequency spectrum…

So you can zoom in even further and uncover details that are almost impossible to distinguish in the finished mix.

What to actually LISTEN for…

So you’re not just hearing a bunch of isolated sounds and wondering what the hell you’re supposed to learn from them.

How to analyse the sound palette…

So you can understand which types of kicks, basses, synths and other sounds professional producers are choosing — and why they work so well together.

How to investigate the musical elements…

The chords.

The melodies.

The basslines.

The rhythms.

The layers.

And how all those individual pieces interact.

How to study the arrangement…

So you can see what gets added…

What gets taken away…

And how professional producers create movement, tension, release and energy

throughout a track.

And most importantly…

I’ll show you how to take what you discover and use it as a starting point for creating something completely original of your own.

Not copying.

Not recreating somebody else’s track.

LEARNING from it.

Watch It. X-Ray A Track. Start Using What You Discover.

That’s really all there is to it.

You don’t need a fancy studio.

You don’t need another $300 plugin.

And you certainly don’t need to disappear for the next six months and study music theory.

You can watch the training…

Choose a track you love…

And start putting the X-Ray Technique to work.

And I deliberately designed it that way.

Because if you’re anything like most of the producers I work with…

You don’t have unlimited time to make music.

You’ve probably got a job.

Maybe a partner.

Kids.

A mortgage.

A hundred other things competing for your attention.

You might get a couple of evenings a week where you can actually shut the door…

Open your DAW…

Put your headphones on…

And make some music.

The LAST thing you need is another gigantic course giving you 40 hours of stuff to learn before you can actually use any of it.

The X-Ray Technique is designed to get you learning from the music you love as quickly as possible.

Because ultimately…

You probably don’t want to become the next David Guetta.

Maybe you do.

Great.

But perhaps you simply want to make music you’re genuinely PROUD of.

Music you’re excited to send to your friends.

Music good enough to release on the labels you love.

Music that might one day get played or supported by one of your favourite DJs.

Maybe make a bit of money on the side.

Hell…

Maybe one day you’d LOVE to leave the job you hate and make music for a living.

Whatever your ambition…

It all starts with closing that frustrating gap between:

The music you can HEAR in your head…

And…

The music you’re actually able to CREATE.

And that’s exactly what the X-Ray Technique is designed to help you do.

Of course, most of us have heard someone on YouTube say:

“Use a reference track.”

Of course you should use reference tracks... 

Most producers already know that.

But simply listening to a professional record and hoping you’ll somehow figure out what makes it work…

Is a bit like staring at the outside of a Ferrari and trying to figure out how the engine works.

You need to get inside the thing.

That’s what X-Ray allows you to do.

And once you know how…

You can do this with the music YOU love.

The producers YOU admire.

The genre YOU want to create.

Again…

And again…

And again.

Turning your favourite professional tracks into an almost unlimited library of production lessons.

So…How Much Is It?

Well, let’s put this into perspective.

If you’re anything like most producers…

You’ve probably already spent a small fortune trying to make better music.

Plugins.

Sample packs.

Synths.

Courses.

Maybe new headphones.

New monitors.

Acoustic treatment.

And God knows how many hours watching free tutorials on YouTube.

All in pursuit of the same thing:

Making music that finally sounds the way you want it to sound.

And there’s nothing necessarily wrong with any of that stuff.

But here’s the irony…

You may already have access to one of the most valuable learning resources available to you.

The professional music you listen to every single day.

The X-Ray Technique simply teaches you how to LEARN from it.

And I could quite easily turn this into some enormous course…

Add another 27 modules…

Throw in a bunch of bonuses you don’t really need…

And charge you $997 for it.

But I don’t want to do that.

Because the whole POINT of the X-Ray Technique is to help you cut through the endless information…

And start learning faster from the music you actually want to make.

So today, you can get complete access to The X-Ray Technique for just…

$27

That’s it.

One payment.

Immediate access.

And you can start X-Raying your favourite tracks straight away.

There’s NOTHING Else You Need To Buy

You don’t need some obscure $300 plugin.

You don’t need expensive studio monitors.

You don’t need a perfectly treated room.

And you don’t need to replace your DAW.

If you already have the basic setup you use to make music…

You’ve got everything you need - with the equipment, software and plugins you already own.

Because this isn’t about adding more STUFF to your studio.

It’s about getting more useful information from something you already have access to:

Great music.

What Would It Be Worth To Finally KNOW What You’re Listening For?

Think about the amount of time you could waste over the next year alone.

Hours scrolling through presets.

Hours swapping samples.

Hours adding and removing layers.

Hours watching tutorials trying to solve problems you can’t quite identify.

Hours sitting in front of your DAW thinking…

“Why the hell doesn’t this sound like the music I love?”

Now imagine being able to open one of those professional tracks…

X-Ray it…

Pull it apart…

And start finding answers for yourself.

Not because I told you there’s ONE correct way to produce music.

But because you’ve learned how to study the producers who are already getting the results YOU want.

That’s a skill you can use…

Again and again.

On practically ANY professionally produced track you want to understand.

So if the X-Ray Technique saves you from buying just ONE plugin you didn’t really need…

It may have already paid for itself.

But more importantly…

If it saves you months — or even YEARS — of listening, guessing and wondering what you’re missing…

I think you’ll agree…

$27 is a pretty small price to pay.

Try The X-Ray Technique On YOUR Favourite Music…Risk-Free

Of course…

I don’t want you to take any risk here.

So when you get The X-Ray Technique today, you’ll have a full 14 days to put it to work.

Choose some professional tracks you love.

X-Ray them.

Pull them apart.

See what you discover.

Then take what you learn back into your own productions.

And if you don’t feel like the X-Ray Technique has completely changed the way you listen to and learn from professional music…

Just let me know.

I’ll refund every penny.

No hoops.

No awkward questions.

No hard feelings.

Which means you’ve got plenty of time to try this for yourself…

And see what happens when you stop simply LISTENING to professional music…

And start LEARNING from it.

So You’ve Really Got TWO Choices…

You can carry on doing what you’ve been doing.

Open your DAW.

Start another track.

Scroll through presets.

Try a kick.

Try another.

Add a bass.

Swap it.

Add another synth.

Watch another tutorial.

Download another plugin.

Tweak.

Change.

Second-guess and self-doubt.

And eventually pull up one of your favourite professional tracks…

Only to have that same frustrating thought:

“Why doesn’t MY music sound like THAT?”

And maybe eventually you’ll figure it all out.

Maybe after another year.

Maybe three.

Maybe five.

OR…

You can learn how to look inside the music you already KNOW sounds great…

And start understanding what those producers are actually doing.

The sounds they choose.

The way they layer them.

The rhythms they create.

The way they use chords and melodies.

The way they arrange everything.

The little production decisions you’ve probably heard hundreds of times…

Without ever consciously noticing them.

And then you can take those discoveries…

Open your own DAW…

And use them to create something entirely your own.

Stop Guessing. Start X-Raying.

Because the answers you’ve been searching for aren’t hiding inside another plugin…

Another sample pack…

Another 47-minute YouTube tutorial…

Or another giant production course.

They may already be sitting inside the music you listen to every single day.

You just need to know how to find them.

Click the button below now and get instant access to The X-Ray Technique for just $27.

Then pick a track you love…

Put your headphones on…

And start discovering what’s REALLY going on inside.

[GET THE X-RAY TECHNIQUE — $27]

See you inside,

Will Darling
EDM Tips

P.S. Remember, you don’t need a fancy studio, expensive new plugins or years more production training to start doing this.

You already have access to the most important ingredient:

The music you want to learn from.

The X-Ray Technique simply shows you how to pull that music apart…

Understand what makes it work…

And use those discoveries to help create better, more professional-sounding music of your OWN.

[GET THE X-RAY TECHNIQUE — $27]

If that sounds like you, guess what?...

I, like you, produced music in my bedroom for years – putting it up on MySpace (remember that, anyone?), and before that, sending out demo tapes to record labels and DJs.

After a couple of years, nothing was really happening and I was getting very frustrated and disillusioned.

I would listen to my favourite producers at the time and wonder things like “Why don’t my tracks sound like that? What am I doing wrong?” 

I would then try the opposite – stripping everything back, slapping a limiter on the master channel and pushing it to the max – just trying to get close to that professional sound. (If you’ve tried that, you’ll know it doesn’t end well!)

At some point, I stopped and said to myself “Look, Will. You KNOW it’s possible to get this quality of mix ‘cos other people are doing it, but there’s something you’re missing that you just can’t see. You need to get some advice”.

When I finally got over my ego (and fear) and started seeking advice from mentors (and they started sharing their secrets with me), reading hundreds of articles and magazines, and REALLY focussing on the key techniques that got results, it was like the lights slowly came on.

I developed my skills more and more, and over time other producers started asking me how I was getting my mixes so clean, and labels began employing me just to mix other artists’ tracks, and then master them, too!

I eventually compiled everything I had learned into one place so I didn’t have to keep repeating myself to other producers over and over again, and since applying these exact techniques, I’ve gone from frustrated bedroom producer to professional music producer and achieved the following:

• Had professional agents find production work and gigs for me.
• Worked with some world-class artists (some of whom have worked with Axwell, from the Swedish House Mafia, Deadmau5, sung in Hollywood blockbusters, or starred in the X Factor)
• DJed all around the world (including at The Ministry of Sound in London).
• Done official remixes for EMI.
• Produced tracks that have hit the Top 10 in Beatport, and Number 1 in Juno, and Trackitdown.
  
• Co-Produced music that has been short-listed for a Grammy.
• Had my music played on Radio One by Pete Tong and Danny Howard, as well as support from Oliver Heldens, Paul Oakenfold, Tommy Trash, and many more.
• Been approached by record labels for freelance mixing and mastering work.
• Spoken at music production conferences, alongside heavy-hitters such as Nicky Romero (this year I will also be attending ADE in Amsterdam).
  
  The funny thing is…my first break came when I was travelling and producing with just a laptop and a pair of headphones in a crappy hostel!

It's not rocket science. If I can do it, you can. 

I'm not naturally musical, or especially talented. 

It's just a case of applying tried and tested techniques to cut out YEARS of frustration and crappy-sounding mixes.

The likes of Boris Brejcha, Ben Böhmer, David Guetta, Calvin Harris, Martin Garrix, Diplo, Steve Aoki, Flume, Skrillex, Eric Prydz and countless others all have one thing in common...

Their mixes all jump out of the speakers, hit you in the chest and get your head nodding, feet tapping and your neck snapping. 

So how do they achieve such awesome mixes?

They do it using tried and tested work-flows and by following some core fundamentals.  

They don't have better plugins than you. They don't have better equipment than you. They may not even have better ideas than you. They do, however, have more knowledge than you. 

Knowledge that allows them to mix their music to create face-melting, heart-stopping beats, brain-twisting drops, deep, loud, clear bass, and crisp, separate highs.

Today, you get to learn how too...

That’s why I’ve crystallised everything I’ve learned about professionally mixing Electronic Dance Music over the past 25 years into one concise place... 

(I wish there was something like this when I was starting out – as it would have shaved years off my learning curve – but I'm very pleased to say there now is, and....)

A specialist and comprehensive course in mixing world-class Electronic Dance Music of all genres, with nothing more than the equipment you already have. No-fluff, no trawling around YouTube for hours, days, weeks or months...Simply everything you need to mix world-class dance music, in one place!

The Ultimate EDM Mixing Course is made by someone who’s gone through the same frustrations as you and come out the other side. These are tried and tested real-world techniques that have been honed over years and resulted in commercial success after commercial success.

But this isn’t just watching videos; the course guides you through REAL EXERCISES so you can truly internalise and understand the material, enabling you to get the most of it time and time again in every track you make!

(Don't worry, these techniques are easy to understand and quick to implement, so you can get started putting them into action almost immediately).

Usually I’m reluctant to make courses that appeal to a broader audience, but here is why I have this time:

1. If you are a newbie, it’s basically a no-brainer. You will learn an insane amount of useful information AND have a framework for practising it.

2. If you are an intermediate producer, this will help identify some problem areas and seriously up the quality of your productions.

3. Even if you are a true veteran at mixing, chances are you will pick up some new angles to look at mixing, and it just takes one “aha” moment to take your game to the next level. Also, we all pick up bad habits, and a fresh pair of ears can help identify them.

4. There are lots of myths about mixing that too many people believe - even some seasoned pros at a high level in the industry. This course helps dispel those myths. Times have changed in the past few years and this course is at the forefront of the newest techniques.

SUITABLE FOR ALL DAWs. If you want to drastically speed-up your learning curve, get your music sounding as good as your favourite artists & producers and create world-class mixes, enrol below for instant access to The Ultimate EDM Mixing Course for only $297 $97 (with my bullet-proof, 14 day money back guarantee).

...in fact, check out this email one student sent me after she paid literally thousands of dollars at one of the biggest, expensive online schools, then took my course...

I know investing in an e-course can seem seem daunting. I know because I've been there. That's EXACTLY why I offer a full, 14 day money back guarantee. I'm so confident in the results you'll get from taking The Ultimate EDM Mixing Course that I'm willing to put my own money on the line. But, as if that wasn't enough, I also offer...

Rather than invest the whole amount up-front, you can choose to split the payment over 6 months. It costs slightly more in the long run, but it's more convenient for some people.

I've also included an integrated support system, where-by you can reach out to me if anything's unclear, or if you have any extra questions. You'll usually get an answer within a few hours (except over the weekends when it might take a bit longer).

But a quick warning...

Time and time again I’ve met ex-producers who gave up on their music production dreams because after a few years they got discouraged with a lack of progress. They often blame a) the industry b) luck or c) any other tired old cliché, but the truth is, they simply didn’t up their game enough and keep going.

Don’t let this happen to you; the world deserves to hear your music.

Yes, of course...There are thousands of blog posts, magazine articles and YouTube videos about mixing, and a lot of them are very good. However, there are 3 main issues with learning this way:

1. Bad Habits.
Some of the free material out there simply isn't very good, and you could pick up bad habits that actually damage your mix.

2. Wasted Time.
You can spend hours shot-gunning around and watch hours of fluff before you get what you need. The Ultimate EDM Mixing course cuts out all the fluff, and teaches you techniques that get you maximum results as quickly as possible.

3. No Structure or Resources.
They aren’t structured in a cohesive, step-by-step curriculum with downloadable resources that tie-in perfectly with the lessons and exercises.